COLLABORATIONS
Collaboration with Jacob Villalobos
Prune
Pruned Cherry, Peach, and Pear Limbs, Blountsville, AL.
An original composition by William A. Peacock titled Six Feet and Waiting performed by Forward Motion and filmed in Natural Disaster, an exhibition by Abi Ogle at the Harrison Center, Indianapolis, IN. Video by Nathan Ekema
Collaboration with Amalia Wiatr Lewis.
See more of Amalia's work here
How can body and materiality transform each other? Where does one end and another begin? When does materiality give way to landscape? What happens when these things quiver in the in-between?
Waterbodies is a series of performances exploring the undeniable sinew that lives between human, materiality, and landscape. We use sculptural wearables to echo the ephemeral conditions in which two bodies negotiate space, form, and relationship. The sculptural pieces create restrictions in bodily relationships and spatial encounter, while uncovering new ways of being.
The sound for waterbody was designed by Landon Caldwell
Collaboration with Heather Harper at Chateau Orquevaux, (Photos of Silk Dress Embroidered with Human Hair by Ogle), April 2019, Film and Digital
Collaboration with Amalia Wiatr Lewis.
This performance is an engaged improvisation. Using the visual and conceptual themes in the embroidery as prompt, Amalia Wiatr Lewis is creating a performance in real time that interacts, responds, and embodies. The performance highlights how the embroidery itself can also be seen as a moving body. This piece is durational and will change incrementally throughout the evening (and for many more years to come).
Video Installation in Collaboration with Nathan Ekema
Photos in collaboration with Abigail Grey, see more of her work here
Climb
Collaboration with Caleb Smith, Transparent Photo Paper, Fishing Line, and Wire, 2017
Collaboration with Caleb Smith for the 48 hour internship and the "Emerald City" show at the Harrison Center for the Arts. Photos of the walls of Indianapolis by Smith tinted green, printed on transparent photo paper, and cut into ivy. Then each ivy leaf was threaded on fishing line and hung from the ceiling to descend with a movable table.